Nachtzug nach Lissabon | Mercier Pascal | Nachtzug nach Lissabon | Mercier Pascal |

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Director Billie August brings out the story through a series of flashbacks. Gregorius acts as an investigator, pulling together pieces of a puzzle that involves suspensetwists and the highest possible stakes to lead unexpected consequences.

Thenhe was hit by a man riding a bicycle and smashed. Having saved an enticing Portuguese girl from leaping to her death, Gregorius stumbles upon an attractive novel by a Portuguese author, as he figures out the destination of a certain writer named Amadeu Jack Hustona doctor and poet who fought against Portuguese dictator Antonio de Oliveira Salazar.

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Raimund visits him several times to talk about Amadeu. Why didn't they tell something of this enormous significance? We really don't want to be soulless creatures who remain thoroughly indifferent to what they come across, creatures whose appraisals consist only of cool, anemic judgments and nothing can shake them up because nothing really bothers them.

His life and thoughts are strongly influenced by living under an oppressive regime. What can we do to improve this balance sheet? We can be sure that we will hold on to the deathbed as part of the last balance sheet- and this part will taste bitter as cyanide- that we have wasted too much, much too much strength and time on getting angry and getting even with others in a helpless shadow theater, which only we, who suffered impotently, knew anything about.

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Therefore, we can't seriously wish not to know the experience of anger and instead persist in an equanimity that wouldn't be distinguished from tedious insensibility.

Mercier uses various activities and subthemes to help explore these deep, self-reflective subjects including "night journeys, insomnia and dream-filled sleep, of being stuck in place yet somehow adrift, and confusion about life's purpose. Themes[ edit ] Night Train to Lisbon spends considerable time contemplating ideas, exploring on one hand Gregorious' contemplation of self and the other de Prado's journal and philosophies.

What could it mean to deal appropriately with anger? What can it mean to train ourselves in anger and imagine that we take advantage of its knowledge without being addicted to its poison?

The next morning, he abandons his teaching position, turns his back on Bern and sets out for Lisbon.